新規更新July 08, 2019 at 05:09AM
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Jesus Insulted by the Soldiers
DilletantiAnonymous:
[[File:Jesus_Mocked_by_the_Soldiers.jpg|thumb|350px]]
'''''Jesus Insulted by the Soldiers''''' is an 1865 oil on canvas painting by [[Édouard Manet]], his last religious work. It is now in the [[Art Institute of Chicago]], to which it was left in 1925 by James Deering, heir to the Deering Harvester Company ([[International Harvester]])<ref name= "CMWB 230">.</ref>.
According to [[Théophile Thoré-Burger]], the painting was based on [[Anthony van Dyck]]'s ''[[Christ Crowned with Thorns (van Dyck)|Christ Crowned with Thorns]]'' (destroyed in Berlin in 1945, though a version of it survives in the [[Princeton University Art Museum]]. Other authors argue it draws on [[Titian]]'s 1542-43 work of the same title, now in the [[Louvre]]<ref></ref>. In 1959 [[Michel Leiris]] noted its similarities to an engraving by [[Schelte Adams Bolswert]], whilst Theodore Reff saw it as influenced by ''[[Ecce homo (Van Dyck)|Ecce homo]]'' ([[Madrid]], [[Prado Museum]]) or ''Christ Mocked by the Soldiers'', both by Van Dyck. Julius Meier-Graefe also noted the influence of [[Diego Velázquez]] on the work and Ann Coffin Hanson that of [[Hendrick ter Brugghen]]<ref name= "CMWB 228"></ref><ref name="CMWB 228" />.
<gallery >
image:Anthony van Dyck - Ecce Homo.jpg|Anthony van Dyck, ''Ecce homo'' (c. 1625-1626), [[Birmingham]], [[Barber Institute of Fine Arts]].
image:The Mocking of Christ (van Dyck).jpg|Anthony van Dyck, ''Christ Crowned with Thorns'' (c. 1628-1630), [[Princeton Unviersity Art Museum]]
</gallery>
This work and his ''[[The Dead Christ with Angels]]'' (1864) were adjudged violent and insufficiently [[Academic style|academic]] by art critics and the public. [[Paul de Saint-Victor]] referred to the 1865 work as "the horrible ''Ecce Homo'' by Monsieur Manet"<ref>Cited in .</ref>. Manet's usual critics such as [[Bertall]], [[Cham (artist)|Cham]], [[André Gill]], [[Draner]], [[Louis Morel-Retz|Stop]] and [[Albert Robida]] also attacked the work in ''[[Le Charivari]]'', the ''[[Journal amusant]] '', ''Le Monde pour rire'', ''[[L'Éclipse (newspaper)|L'Éclipse]]'' (replaced by the ''[[La Lune (newspaper)|La Lune]]''), ''[[Le Tintamarre]]'', ''[[La Vie parisienne (magazine)|La Vie parisienne]]'' and several other publications.
In his 1872 inventory of his works, Manet valued the work at 15000 francs. It was put on sale in 1883 but was withdrawn from the sale before finally being bought from Léon Leehoff by the art dealers Boussod and Valadon in 1893. According to Tabarant, it was [[Durand-Ruel]] who bought it from Manet's widow, but Durand-Ruel's records show he bought the work jointly with [[Jean-Baptiste Faure]] in 1894, Faure exhibited it in New York and finally Durand-Ruel sold it for 22,000 francs to James Deering.
== References ==
<references/>
== Bibliography ==
* Françoise Cachin, Charles S. Moffett and Juliet Wilson-Bareau, Manet 1832-1883, Paris, Réunion des musées nationaux, 1983, 544 p. (ISBN 2-7118-0230-2).
* Adolphe Tabarant, Manet et ses œuvres, Paris, Gallimard, 1947, 600 p.
* Adolphe Tabarant, Les Manet de la collection Havemeyer : La Renaissance de l'art français, Paris, 1930, XIII éd.
* Étienne Moreau-Nélaton, Manet raconté par lui-même, vol. 2, t. I, Paris, Henri Laurens, 1926. Document utilisé pour la rédaction de l'article
* Étienne Moreau-Nélaton, Manet raconté par lui-même, vol. 2, t. II, Paris, Henri Laurens, 1926. Document utilisé pour la rédaction de l'article
* Henri Loyrette et Gary Tinterow, Impressionnisme : Les origines, 1859-1869, 476 p. (ISBN 978-2711828203). Document utilisé pour la rédaction de l'article
* Collectif RMN, Manet inventeur du moderne, Paris, 2011, 297 p. (ISBN 978-2-07-013323-9)Document utilisé pour la rédaction de l'article
L'ouvrage comporte des contributions de Stéphane Guégan, Laurence des Cars, Simone Kelly, Nancy Locke, Helen Burnham, Louis-Antoine Prat et un entretien avec Philippe Sollers.
* Timothy James Clark, The Painting of Modern Life: Paris in the Art of Manet and His Followers, Princeton, Princeton University Press, 1999, 376 p. (ISBN 978-0691009032).
[[category:Paintings by Édouard Manet]]
[[category:Jesus in art]]
[[category:1865 paintings]]
[[category:Art Institute of Chicago]]
'''''Jesus Insulted by the Soldiers''''' is an 1865 oil on canvas painting by [[Édouard Manet]], his last religious work. It is now in the [[Art Institute of Chicago]], to which it was left in 1925 by James Deering, heir to the Deering Harvester Company ([[International Harvester]])<ref name= "CMWB 230">.</ref>.
According to [[Théophile Thoré-Burger]], the painting was based on [[Anthony van Dyck]]'s ''[[Christ Crowned with Thorns (van Dyck)|Christ Crowned with Thorns]]'' (destroyed in Berlin in 1945, though a version of it survives in the [[Princeton University Art Museum]]. Other authors argue it draws on [[Titian]]'s 1542-43 work of the same title, now in the [[Louvre]]<ref></ref>. In 1959 [[Michel Leiris]] noted its similarities to an engraving by [[Schelte Adams Bolswert]], whilst Theodore Reff saw it as influenced by ''[[Ecce homo (Van Dyck)|Ecce homo]]'' ([[Madrid]], [[Prado Museum]]) or ''Christ Mocked by the Soldiers'', both by Van Dyck. Julius Meier-Graefe also noted the influence of [[Diego Velázquez]] on the work and Ann Coffin Hanson that of [[Hendrick ter Brugghen]]<ref name= "CMWB 228"></ref><ref name="CMWB 228" />.
<gallery >
image:Anthony van Dyck - Ecce Homo.jpg|Anthony van Dyck, ''Ecce homo'' (c. 1625-1626), [[Birmingham]], [[Barber Institute of Fine Arts]].
image:The Mocking of Christ (van Dyck).jpg|Anthony van Dyck, ''Christ Crowned with Thorns'' (c. 1628-1630), [[Princeton Unviersity Art Museum]]
</gallery>
This work and his ''[[The Dead Christ with Angels]]'' (1864) were adjudged violent and insufficiently [[Academic style|academic]] by art critics and the public. [[Paul de Saint-Victor]] referred to the 1865 work as "the horrible ''Ecce Homo'' by Monsieur Manet"<ref>Cited in .</ref>. Manet's usual critics such as [[Bertall]], [[Cham (artist)|Cham]], [[André Gill]], [[Draner]], [[Louis Morel-Retz|Stop]] and [[Albert Robida]] also attacked the work in ''[[Le Charivari]]'', the ''[[Journal amusant]] '', ''Le Monde pour rire'', ''[[L'Éclipse (newspaper)|L'Éclipse]]'' (replaced by the ''[[La Lune (newspaper)|La Lune]]''), ''[[Le Tintamarre]]'', ''[[La Vie parisienne (magazine)|La Vie parisienne]]'' and several other publications.
In his 1872 inventory of his works, Manet valued the work at 15000 francs. It was put on sale in 1883 but was withdrawn from the sale before finally being bought from Léon Leehoff by the art dealers Boussod and Valadon in 1893. According to Tabarant, it was [[Durand-Ruel]] who bought it from Manet's widow, but Durand-Ruel's records show he bought the work jointly with [[Jean-Baptiste Faure]] in 1894, Faure exhibited it in New York and finally Durand-Ruel sold it for 22,000 francs to James Deering.
== References ==
<references/>
== Bibliography ==
* Françoise Cachin, Charles S. Moffett and Juliet Wilson-Bareau, Manet 1832-1883, Paris, Réunion des musées nationaux, 1983, 544 p. (ISBN 2-7118-0230-2).
* Adolphe Tabarant, Manet et ses œuvres, Paris, Gallimard, 1947, 600 p.
* Adolphe Tabarant, Les Manet de la collection Havemeyer : La Renaissance de l'art français, Paris, 1930, XIII éd.
* Étienne Moreau-Nélaton, Manet raconté par lui-même, vol. 2, t. I, Paris, Henri Laurens, 1926. Document utilisé pour la rédaction de l'article
* Étienne Moreau-Nélaton, Manet raconté par lui-même, vol. 2, t. II, Paris, Henri Laurens, 1926. Document utilisé pour la rédaction de l'article
* Henri Loyrette et Gary Tinterow, Impressionnisme : Les origines, 1859-1869, 476 p. (ISBN 978-2711828203). Document utilisé pour la rédaction de l'article
* Collectif RMN, Manet inventeur du moderne, Paris, 2011, 297 p. (ISBN 978-2-07-013323-9)Document utilisé pour la rédaction de l'article
L'ouvrage comporte des contributions de Stéphane Guégan, Laurence des Cars, Simone Kelly, Nancy Locke, Helen Burnham, Louis-Antoine Prat et un entretien avec Philippe Sollers.
* Timothy James Clark, The Painting of Modern Life: Paris in the Art of Manet and His Followers, Princeton, Princeton University Press, 1999, 376 p. (ISBN 978-0691009032).
[[category:Paintings by Édouard Manet]]
[[category:Jesus in art]]
[[category:1865 paintings]]
[[category:Art Institute of Chicago]]
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